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The Family Plan Review
Mark Wahlberg’s past work has demonstrated his comic timing and action skills to such an extent that it makes sense for him to star in a movie that combines suburban family clichés with the world of espionage, such as the superb “True Lies” or the underappreciated “Nobody.”
Viewers who have wondered if they could save their family in the event of a hunt or who have wondered if the enigmatic guy on their block has a hidden past find something compelling about the transformation of an ordinary family man into a highly accomplished assassin. It is a delightful little subgenre when done well, as in the case of the excellent James Cameron picture, which is currently available on 4K VOD. When executed poorly, “The Family Plan” is not.
Wahlberg portrays Dan Morgan, a regular guy who enjoys his family traditions and works at a car dealership. Tuesdays are too predictable, so they have tacos on Wednesdays instead. He arranges sex dates with his wife Jessica (Michelle Monaghan) for Thursdays. He’s having some difficulty raising his two teenagers.
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Zoe Colletti’s character Nina wishes to transfer from Stanford University to Southern Iowa University to follow a boy, while Van Crosby’s character Kyle continues to play shooter games that his father forbade him from playing. Unexpectedly, a third child appears who is old enough to make silly baby noises and expressions as the story is being told. over and endlessly.
The infant plays a significant role in the first major action scene, which takes place in a grocery shop and features Dan battling an assassin while the child is strapped to his chest in a carrier. It’s okay if this seems absurd to you.
This is the first hint that “The Family Plan” isn’t going to last at all because it makes fun of improbable scenarios rather than anything realistic or relevant. The best examples of this subgenre are charming because familiarity permeates both the comedy and the action. “The Family Plan” never has a solid basis of relatable human behavior, and it never provides excitement or humor to counterbalance its unbelievable content.